ABOUT ME
Hi, I’m Tash.
I’m a script editor and development consultant working across high-end television and feature film. My most recent credit was on the critically acclaimed What It Feels Like for a Girl for BBC / Hera Pictures.
I’ve worked closely with writers, producers and commissioners, from early development right through to production and post. I’ve been in writers’ rooms across commissioned projects and an active part of conversations that take a story from a sparkling idea to screen-ready script.
Working with in-house development teams means I’m well versed in reading submissions, assessing projects, and championing new talent. I’ve also collaborated with Stage 32 and the BFI x Channel 4 New Writers Scheme, supporting emerging writers as they refine and elevate their work.
So, what does that mean for you?
Maybe you’re wrestling with structure or a character isn’t quite landing. Maybe your voice isn’t shining through in the way you know it can, and you aren’t sure why. Or maybe you’ve simply read the draft so many times you can’t see it clearly anymore. That’s where I come in.
I offer constructive, story-focused notes to push your script forward, not just polish it. I’ll help tighten structure, deepen character and clarify tone, making sure the heart of the story you’re telling is coming through boldly.
Alongside script editing, I’ve worked as a producer’s assistant to senior producers, which means I know the ins and out of how projects are shaped, positioned and championed behind the scenes. When I give notes, I’m holding both the creative and the practical in mind, helping your instincts shine while keeping an eye on what makes commissioners lean in.
Whether you’re working on an early draft, preparing a submission, or stuck on story problems you can’t quite untangle, I offer clear, honest, and actionable feedback grounded in eight years of professional experience. Your story already has something special. My job is to help you bring it into focus, and make sure it lands in the way it deserves.